– or possibly in something more down-market which I paged through at the dentist) that you were on a Media Studies course at the Polytechnic College in Coventry for almost a year (I know they like to call them all ‘Universities’ nowadays, but they’re not kidding anybody, are they?). I wondered if this formative experience might have been a factor in your choice of a new location?
Either way, it seems you didn’t enjoy the academic life and headed down to London to work as a runner for a film company before later moving into advertising where you worked on campaigns for Dairylea Cheese Triangles, and, later, Dove moisturizing underarm deodorant (I can’t distinctly recall the adverts for either of these products, although I do remember partaking of the odd cheese triangle when my children were young, and while they weren’t anything spectacular they were certainly perfectly edible).
Not only did I grow up in Coventry, but (cue the drum roll!) my father was the caretaker on a housing estate near the city centre for several years! I have extraordinarily strong childhood memories of the post-war geography of the town, and was a first-hand witness to the radical changes that took place from the late 1950s onwards (although I was lucky enough to move further north in 1964).
I won’t pretend that there is much of the Coventry I knew so well as a boy present in your TV series – or, indeed, of the Manchester I knew later on in your books. It’s obvious where the gaps in your knowledge are, but I like to think that this isn’tsimply a lack of good, detailed research on your part, but rather an author’s artistic prerogative to reinvent a location (or setting) to better explicate their character and their plot.
When it comes to the ‘caretaking’ aspect of the books, I also have (as mentioned above) a special insight into this particular area of endeavour, although of course my father, Ken, was nothing like Tim Trinder; he didn’t suffer from childhood polio, for starters (his hand was not malformed, and he didn’t walk with a limp), nor was he given to dramatic flights of fancy on the job. He was, as you might expect, a very sensible, responsible member of the Coventry community (a stalwart of the Rotary Club), a much liked local figure with a great talent for plumbing (something he later exploited by becoming a plumber, full-time).
It never ceases to amuse me how little practical information about the caretaking trade is present in your fiction. I suppose I must just accept that this aspect of the narrative is probably more interesting to me than to the average reader because I have so much technical know-how and a personal knowledge of ‘the business’, so to speak.
This is not to imply that I am a caretaker myself – heavens no! I was lucky enough to pursue my childhood dream of becoming a member of Her Majesty’s Royal Navy where I trained as an electrical engineer. Since leaving the forces I have made an excellent living in the security industry (running a company that manufactures burglar alarms. My son, Nick, has continued this upward gradient and is currently working in astro-physics).
While I’m about it, I suppose I should make a glancing reference to your latest novel,
Fast Track
, where failed policewoman turned British Rail Station Manager Hilda Fisher is horrified to find a number of her regular passengers (or ‘customers’) dying in a series of lethal ‘accidents’ and is obliged to step in to stop clod-hopping local detectives (and BR big-wigs and PR gurus) from botching up the investigation.
I haven’t read the book myself (it’s way out of my ‘comfort zone’), but my wife Moira did after it was selected by her local book group (I think their interest was piqued by the Harrogate setting).
The novel was systematically ripped to shreds, Moira said, because most of the group (all women) said the female lead ‘thought and behaved just like a stupid man’. I wouldn’t let this
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