in an almost clumsy roll like his arms and legs were too long for his body, but it was deceptive. He was playing human for me. I wasnât fooled.
âYou spotted me pretty damn quick there, little lady.â
I put the Browning up because to keep it out would be rude. I was here as his guest in more than one way. Besides, I had to trust someone enough to put the gun up. I couldnât keep it naked in my hand the entire trip. I still had the naked blade, complete with blood. It needed to be cleaned before I could sheathe it. Iâd gummed up a couple of smaller sheaths from not cleaning them well enough.
âNice to meet you, Verne, but donât call me little lady.â I started to wipe the blood on the edge of the black jacket. Blackâs good for that.
âDonât you ever give an inch?â Jamil asked.
I glanced at him. There was blood all over his nice white clothes. âNo,â I said. I motioned him over to me.
He frowned. âWhat?â
âI want to use your shirt to wipe the blood off the blade.â
He just stared at me.
âCome on, Jamil. The shirt is already ruined.â
Jamil pulled the shirt over his head in one smooth motion. He threw the shirt at me, and I caught it one-handed. I started cleaning the blade with the unstained part of the shirt.
Verne laughed. He had one of those deep, rolling chuckles that matched his gravelly voice. âNo wonder Richardâs been having such a hard time finding a replacement for you. You are a solid, cast-iron, ball-busting bitch.â
I looked at his smiling face. I think it was a compliment. Besides, truth was truth. I wasnât down here to win Miss Congeniality. I was down here to rescue Richard and to stay alive. Bitch was just about the right speed for that.
5
T HE OUTSIDE OF the cabins were white and looked sort of cheap. The interiors werenât honeymoon cabins, but they were amazingly roomy. There was a queen-size bed in the one I was given. There was a desk against one wall with a reading lamp. There was an extra chair in front of a picture window. The chair was blue plush and comfortable. It sat on a small throw rug that looked homemade and was woven in shades of blue. The woods were hardwood and polished to a honeyed gleam. The bedâs comforter was royal blue. There was a bedside table, complete with a lamp and a phone. The walls were pale blue. There was even a painting over the bed. It was a reproduction of Van Goghâs Starry Night . Frankly, any of Van Goghâs work done after he started going seriously nuts creeps me out. But it was a good choice for a blue room. For all I knew, the other cabins had matadors done on velvet, but this was okay.
The bathroom was standard white with a small window high over the bathtub. The bathroom looked like standard motel issue except for a blue bowl of potpourri that smelled like musk and gardenia.
Verne had informed me that this was the largest cabin left. I needed the floor space. Two coffins take up a lot of room. I wasnât sure I wanted to have Asher and Damian in my room permanently, but I didnât have time to argue. I wanted to go see Richard as soon as possible. We could always argue about who got the vamps as bunk mates after I saw Richard.
I made three phone calls before we went to the jail. The first was to the number that Daniel had given me, to let him know we were in town. No one answered. The second call was to Catherine to let her know Iâd arrived safely. I got her machine. The third call was to the lawyer that Catherine hadrecommended, Carl Belisarius. A woman with a very good phone voice answered. When she found out who I was, she was sort of excited, which puzzled me. She forwarded me to Belisariusâs cell phone. Something was up, which was probably bad.
A deep, rich, male voice answered, âBelisarius here.â
âAnita Blake. I assume that Catherine Maison-Gillette told you who I am.â
âJust a
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