over your head and then what will you do? Wait for me to come to the rescue?”
“That is a laugh and a half.”
And then she sat nude to the waist at her dressing-table mirror and unwrapped the towel on her head and ran a comb a few times through her short helmet of hair, and painted on some lipstick, then found a camisole and shrugged it over her torso and pulled a blouse on over that, and tucked it in, and then a jacket over the blouse, and a bracelet or two, a necklace, and she stood and looked at me for the first time, a new woman, Miss Lola Miss Drew, a formidable intention in her eyes, and when had I seen a woman dress herself so, all in cream and aqua, to run away with the killer of her dreams?
So there we are, three o’clock in the morning and tearing up Route 22 out of the city, miles into the mountains where I have never been before, I am sitting up front next to Mickey the driver, and Mr. Schultz and the lady are in the back with glasses of champagne in their hands. He is telling her the story of his life. A steady hundred yards behind is a car with Irving and Lulu Rosenkrantz, and Mr. Abbadabba Berman. It has been a long night in my education, but there is more to come, I am going into mountains, Mr. Schultz is showing me the world, he is like a subscription to the National Geographic Magazine except the only tits I’ve seen are white, I’ve seen the contours of the ocean bed and the contours of the white Miss Drew and now I see the contours of the black mountains. I understand for the first time the place of the city in the world, it should have been obvious but I had never realized it, I had never been out of it before, never had the distance, it is a station on the amphibian journey, it is where we come out sliming, it is where we bask and feed and make our tracks and do our dances and leave our coproliticspires, before moving on into the black mountains of high winds and no rain. And what I hear as my eyes begin to droop is the soft whistle of the wind in the half window I’ve left open a crack with a turn of the knob, not a whistle entirely but the kind of almost-whistle a person makes who is whistling to himself; and the soundplow of the eight-cylinder car in its bassoing, and the resonant rasp of Mr. Schultz telling how he robbed crap games as a lad, and the tires’ humslick on the damp highway, all of it really the protesting circuitry of my brain as I wrap my arms around myself and let my chin drop to my chest, I hear one last laugh but I can’t help it, it is three o’clock in the morning of the awesome morning of my life and I haven’t even been to sleep yet.
FOUR
I knew from Walter Winchell’s column Mr. Schultz was a lammister: the federal government was looking for him because he had not paid taxes on all the money he had earned. The police one day had raided his headquarters on East 149th Street with axes and found there incriminating records from his beer business. Yet I had seen him with my own eyes and felt his hand on my face. It is spectacular enough to see someone in the flesh whom you’ve only known in the newspapers, but to see someone the newspapers have said is on the lam definitely has a touch of magic to it. If the papers said Mr. Schultz was on the lam then it was true; but “the lam” suggested to most people someone running by night and hiding by day when really what it is is the state of being invisible; if you don’t run and you don’t hide and you are on the lam then you are there all the time, you are simply controlling people’s ability to see you and that is a very potent magic. Of course you do it by waving dollars over the air, you wave a dollar and you are invisible. But it is still a difficult and dangerous trick that may not always work when you want it to. It would not work in Manhattan, I decided, because that’s where the federal attorneys were who were planning to try Mr. Schultz for tax evasion. It would work better in the Bronx, as for instance
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