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Authors: Michael Connelly
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files. He then asked if Rider wanted him to pick her up a coffee or a soda from the cafeteria while he was floating around the building. She said no and he was off. He took the murder book with him.
Bosch filled out the comparison request forms and gave them to a print tech named Larkin. He was one of the older, more experienced techs. Bosch had gone to him before and knew that he would move quickly with the request.
“Let’s hope we hit the jackpot, Harry,” Larkin said as he took the forms.
It was true that there was always a sense of excitement when you put an old print into a computer and let it ride. It was like pulling the lever on a slot machine. The jackpot payoff was a match, a cold hit in police parlance.
After leaving SID Bosch went to the cafeteria for a cup of coffee and to finish reading through the murder book. He decided he could handle the constant background noise of the cafeteria better than he could the intrusive questions from Kiz Rider.
He understood where his partner was coming from. She wanted to choose their cases dispassionately from the thousands that were open. Her concern was that if they went down a path in which Bosch was exorcizing ghosts or choosing cases with personal attachments, they would burn out sooner rather than later.
But Bosch was not as concerned. He knew that passion was a key element in any investigation. Passion was the fuel that kept his fire burning. So he purposely sought the personal connection or, short of that, the personal outrage in every case. It kept him locked in and focused. But it wasn’t the Laura syndrome. It wasn’t the same as falling in love with a dead woman. By no means was Bosch in love with June Wilkins. He was in love with the idea of reaching back across time and catching the man who had killed her.
The killing of June Wilkins was as horrible as it was cunning. The woman was bound hands and feet with a dog collar and a leash and then drowned in the tub. Her dog was treated to the same death. The autopsy showed no bruising or injuries on Wilkins suggestive of a struggle. But analysis of blood and tissue samples taken during autopsy indicated that she had been drugged with a veterinary paralytic. It meant that it was likely that Wilkins was conscious but unable to move her muscles to fight or defend herself when she was submerged in the water in the bathtub. Analysis of the dog’s blood found that the animal ith the anhad been drugged with the same substance.
A textbook investigation followed the murder but it ultimately led to no arrests or the identification of a suspect. June Wilkins had lived alone. She had been divorced and had one child, a college student who went to school in Philadelphia. June worked as an assistant to a casting director in an office in a building at Hollywood and Vine, but had been on a two-week vacation at the time of her death.
No evidence was found that she’d had an ongoing romantic relationship or that there were any hard feelings from a former relationship. It appeared to neighbors, acquaintances, coworkers and family members that the love of her life was her dog, a miniature poodle named Frenchy.
The dog was also the focus of her life. He was of pure breed, and the only travel Wilkins did in the year most recent to her death had been to attend dog shows in San Diego and Las Vegas, where Frenchy competed. The second bedroom of her bungalow had been converted into a grooming salon, where ribbons from previous dog shows lined the mirrors.
The original investigation was conducted by partners Joel Speigelman and Dan Finster of Wilshire Division. They began with a wide focus on Wilkins’s life and then narrowed in on the dog. The use of the veterinary drug by the killer and the killing of the dog suggested some connection to that aspect of the victim’s life. But that avenue soon hit a dead end when the detectives found no indication of a dispute or difficulty involving Wilkins in the competitive world of dog
Bosch filled out the comparison request forms and gave them to a print tech named Larkin. He was one of the older, more experienced techs. Bosch had gone to him before and knew that he would move quickly with the request.
“Let’s hope we hit the jackpot, Harry,” Larkin said as he took the forms.
It was true that there was always a sense of excitement when you put an old print into a computer and let it ride. It was like pulling the lever on a slot machine. The jackpot payoff was a match, a cold hit in police parlance.
After leaving SID Bosch went to the cafeteria for a cup of coffee and to finish reading through the murder book. He decided he could handle the constant background noise of the cafeteria better than he could the intrusive questions from Kiz Rider.
He understood where his partner was coming from. She wanted to choose their cases dispassionately from the thousands that were open. Her concern was that if they went down a path in which Bosch was exorcizing ghosts or choosing cases with personal attachments, they would burn out sooner rather than later.
But Bosch was not as concerned. He knew that passion was a key element in any investigation. Passion was the fuel that kept his fire burning. So he purposely sought the personal connection or, short of that, the personal outrage in every case. It kept him locked in and focused. But it wasn’t the Laura syndrome. It wasn’t the same as falling in love with a dead woman. By no means was Bosch in love with June Wilkins. He was in love with the idea of reaching back across time and catching the man who had killed her.
The killing of June Wilkins was as horrible as it was cunning. The woman was bound hands and feet with a dog collar and a leash and then drowned in the tub. Her dog was treated to the same death. The autopsy showed no bruising or injuries on Wilkins suggestive of a struggle. But analysis of blood and tissue samples taken during autopsy indicated that she had been drugged with a veterinary paralytic. It meant that it was likely that Wilkins was conscious but unable to move her muscles to fight or defend herself when she was submerged in the water in the bathtub. Analysis of the dog’s blood found that the animal ith the anhad been drugged with the same substance.
A textbook investigation followed the murder but it ultimately led to no arrests or the identification of a suspect. June Wilkins had lived alone. She had been divorced and had one child, a college student who went to school in Philadelphia. June worked as an assistant to a casting director in an office in a building at Hollywood and Vine, but had been on a two-week vacation at the time of her death.
No evidence was found that she’d had an ongoing romantic relationship or that there were any hard feelings from a former relationship. It appeared to neighbors, acquaintances, coworkers and family members that the love of her life was her dog, a miniature poodle named Frenchy.
The dog was also the focus of her life. He was of pure breed, and the only travel Wilkins did in the year most recent to her death had been to attend dog shows in San Diego and Las Vegas, where Frenchy competed. The second bedroom of her bungalow had been converted into a grooming salon, where ribbons from previous dog shows lined the mirrors.
The original investigation was conducted by partners Joel Speigelman and Dan Finster of Wilshire Division. They began with a wide focus on Wilkins’s life and then narrowed in on the dog. The use of the veterinary drug by the killer and the killing of the dog suggested some connection to that aspect of the victim’s life. But that avenue soon hit a dead end when the detectives found no indication of a dispute or difficulty involving Wilkins in the competitive world of dog
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