A Model World And Other Stories

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Authors: Michael Chabon
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curb, in Harlem, and ate it. No one bothered me.” He smiles at his wife, who probably hears this story every time the Heugels feed an American, and she smiles and reaches to move his sleeve out of the butter dish. “I have nothing against blacks; you see.”
    “Since when?” Hervé turns to me. “He’s completely prejudiced against blacks. Blacks and Arabs.”
    Right away he puts an embarrassed hand to his mouth, and we all turn to look at Roksana—myself included, which makes me ashamed—who has no idea of what’s been said and continues calmly to eat her asparagus and bread, eyes to her plate. While Monsieur Heugel protests that he has known several Arabs who were very worthwhile fellows and, it must be said, skilled businessmen, and Hervésnorts and puts away fistfuls of shrimp, I push back my chair.
    Our table is spread in the grassy clos between two of the estate’s several houses. On my right is an ivy-covered stone building with a turret, five chimneys, and fabulous eaves—the house of Hervé’s family; on my left, across the lawn, is one of the larger outbuildings, a brown barn that has been converted into a guesthouse. All around our table are bees and butterflies and giant oaks, the air smells lightly of manure and salt, and across from me, in the distance behind Monsieur Heugel, is the bay, filled with sails. I watch Roksana chew, closed, dark, mute, immovable, and I think: I am a fool.
    “Oh, the little American,” says Madame Heugel, pointing delicately with her fork at my plate. “He will not eat the heads!”
    They laugh, and Roksana looks up.
    “In America,” I say, “it’s unlucky to eat them.” I fold another buttery stalk of asparagus into my mouth. The Heugels shoot another round of glances at my staring wife.
    “Monsieur Heugel,” I say, “how many centuries has this manor been in your family?”
    “Hervé’s grandfather purchased the manor in 1948,” says Madame Heugel.
    Everyone laughs much louder this time. Roksana looks up again, her face blank, her jaw working, and for one moment, and for the first time, I feel like striking her.
    I excuse myself, leaving Roksana to sit at their table, to suck up all their joy and conversation like a black hole. I hate all of them.
    Upstairs, I sit in the tub and hold the hand nozzle over my head for a few minutes, showering off the train ride and the strange conversation, which, after all, I may have misunderstood. Then I go back into the bedroom the Heugels have given us, which smells of cedar. With a towel on my head I step over to one of the lozenge-shaped windows and look outside, onto the yard, where the table is still covered with the wreckage of lunch and where Hervé and his father drink Calvados from little glasses. Roksana and Hervé’s mother have disappeared, perhaps into the house, and I have this brief, stupid, happy fantasy of the two of them doing the dishes together, working in smooth and wordless concert.
    When I take from my suitcase the new dress shirt, white with coral pinstripes, that I bought specially at an outlet store in the rue du Commerce, because Hervé had promised to take us to a Breton club where the women would go wild over my accent, the shirt is wrinkled and my shaving cream has exploded all across the collar. I sit down on the bed, looking for a long time at the pale blue smear of foam and trying to remember the word for clothes iron.
    The stairs creak. Roksana’s face is in the doorway for half a second, and I think she’s coming into the bedroom. I toss aside the spoiled shirt, but she turns and I hear her start to creak back downstairs. I shut my eyes. “Roksana.”
    Plates in the kitchen, laughter outside.
    “I need to be alone.”
    “Please come here.”
    When I open my eyes she’s in the doorway again. This time I see the anger on her face, and before the words come out of her mouth I know, with a rush of bent happiness, that we’re going to have a fight, after a year and a half of wedlock

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