A Cry In the Night

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Authors: Mary Higgins Clark
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to Jenny that in this lighting, in this room, her own resemblance to Caroline was accentuated. The woman in the painting seemed to be looking directly at her. “It’s almost like an icon,” Jenny whispered. “I feel as though her eyes are following me.”
    â€œI always feel that way,” Erich said. “Do you think they might be?”
    An immense rosewood reed organ on the west wall immediately attracted the children. They climbed onto the velvet-cushioned bench and began to press the keys. Jenny saw Erich wince as the buckle of Tina’s shoe scratched the leg of the bench. Quickly she lifted the protesting girls down. “Let’s see the rest of the house,” she suggested.
    The dining room was dominated by a banquet tablelarge enough to accommodate twelve chairs. An elaborate heart motif was carved out of each of the chairbacks.
    A quilt was hung like a tapestry on the far wall. Pieced entirely of hexagons with a scalloped border and stitched in flower motifs, it added a bright note to the austerely handsome room. “My mother made it,” Erich said. “See her initials.”
    All the walls of the large library were covered with walnut bookcases. Each shelf held an even row of precisely placed books. Jennie glanced at some of the titles. “Am I going to have a good time!” she exclaimed. “I can’t wait to catch up on reading. About how many books have you got?”
    â€œEleven hundred and twenty-three.”
    â€œYou know exactly how many?”
    â€œOf course.”
    The kitchen was huge. The left wall contained the appliances. A round oak table and chairs were placed exactly in the center of the room. On the east wall, a giant old iron stove with highly polished nickel chrome and isinglass windows looked capable of heating the whole house. An oak cradle next to the stove held firewood. A couch covered in a colonial print and matching chair were at rigid right angles to each other. In this room, as in the others she had seen, absolutely nothing was out of place.
    â€œIt’s a little different from your apartment, isn’t it, Jenny?” His tone was proud. “You see why I didn’t tell you. I wanted to enjoy your reaction.”
    Jenny felt an urge to defend the apartment. “It’s certainly bigger,” she agreed. “How many rooms are there?”
    â€œTwenty-two,” Erich said proudly. “Let’s just have a quick look at our bedrooms. We’ll finish the tour tomorrow.”
    He put his arm around her as they walked up the stairs. The gesture was comforting and helped to relieve some of the strangeness she was feeling. All right, she thought, I do feel as though I’m on a guided tour: Look but don’t touch.
    The master bedroom was a large corner room in the front of the house. Dark mahogany furniture gleamed with a fine velvet patina. The massive four-poster bed was covered with a spread of cranberry-colored brocade. The brocade was repeated in the canopy and draperies. A leaded crystal bowl on the left side of the dresser was filled with small bars of pine soap. An initialed silver dressing set, each piece an inch apart, was to the right of the bowl. The dressing set had been Erich’s great-grandmother’s; the bowl was Caroline’s and had come from Venice. “Caroline never wore perfume but loved the scent of pine,” Erich said. “That soap is imported from England.”
    The pine soap. That was what she had detected as she came into the room—the faint aroma of pine, so subtle it was almost impossible to distinguish.
    â€œIs this where Tina and I sleep, Mommy?” Beth asked.
    Erich laughed. “No, Mouse. You and Tina will be across the hall. But do you want to see my room first? It’s right next door.”
    Jenny followed, expecting to see the room of a bachelor in the family home. She was anxious to experience Erich’s personal taste in furnishing.

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