the key and opened it.
“I only hope that you will not be sorry I did not kill you,” he said, and was gone.
Monty Newton waited until from his raised window he saw the slim figure pass along the sidewalk and disappear round a corner, and then he hurried down, with one shoe on and one off, to call New Cross 93.
CHAPTER EIGHT - THE HOUSE OF OBERZOHN
IN a triangle two sides of which were expressed by the viaducts of converging railroads and the base by the dark and sluggish waters of the Grand Surrey Canal, stood the gaunt ruins of a store in which had once been housed the merchandise of the 0. & S. Company. A Zeppelin in passing had dropped an incendiary bomb at random, and torn a great ugly gap in the roof. The fire that followed left the iron frames of the windows twisted and split; the roof by some miracle remained untouched except for the blackened edges about the hole through which the flames had rushed to the height of a hundred feet.
The store was flush with the canal towing-path; barges had moored here, discharging rubber in bales, palm nut, nitrates even, and had restocked with Manchester cloth and case upon case of Birmingham-made geegaws of brass and lacquer.
Mr. Oberzohn invariably shipped his spirituous cargoes from Hamburg, since Germany is the home of synthesis. In the centre of the triangle was a red-brick villa, more unlovely than the factory, missing as it did that ineffable grandeur, made up of tragedy and pathos, attaching to a burnt-out building, however ugly it may have been in its prime.
The villa was built from a design in Mr. Oberzohn’s possession, and was the exact replica of the house in Sweden where he was born. It had high, gabled ends at odd and unexpected places. The roof was shingled with grey tiles; there were glass panels in the curious-looking door, and iron ornaments in the shape of cranes and dogs flanking the narrow path through the rank nettle and dock which constituted his garden.
Here he dwelt, in solitude, yet not in solitude, for two men lived in the house, and there was a stout Swedish cook and a very plain Danish maid, a girl of vacant countenance, who worked from sun-up to midnight without complaint, who seldom spoke and never smiled. The two men were somewhere in the region of thirty. They occupied the turret rooms at each end of the building, and had little community of interest. They sometimes played cards together with an old and greasy pack, but neither spoke more than was necessary. They were lean, hollow-faced men, with a certain physiognomical resemblance. Both had thin, straight lips; both had round, staring, dark eyes filled with a bright but terrifying curiosity.
“They look,” reported Leon Gonsalez, when he went to examine the ground, “as if they are watching pigs being killed and enjoying every minute of it. Iwan Pfeiffer is one, Sven Gurther is the other. Both have escaped the gallows or the axe in Germany; both have convictions against them. They are typical German-trained criminals, as pitiless as wolves. Dehumanized.”
The “Three,” as was usual, set the machinery of the law in motion, and found that the hands of the police were tied. Only by stretching the law could the men be deported, and the law is difficult to stretch. To all appearance they offended in no respect. A woman, by no means the most desirable of citizens, laid a complaint against one. There was an investigation—proof was absent; the very character of the complainant precluded a conviction, and the matter was dropped—by the police.
Somebody else moved swiftly.
One morning, just before daybreak, a policeman patrolling the tow-path heard a savage snarl and looked round for the dog. He found instead, up one of those narrow entries leading to the canal bank, a man. He was tied to the stout sleeper fence, and his bare back showed marks of a whip. Somebody had held him up at night as he prowled the bank in search of amusement, had tied and flogged him. Twenty-five lashes: an
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